Archiv der Kategorie: Coronation | Coronation Tiaras -Coronation Jewels

Coronation | Coronation Tiaras -Coronation Jewels, royal jewels, royal tiara,royal tiaras, royal diadem, peeress tiara, aristocracy jewels, worn at the Coronation, royalty,royals, princess, countess, gräfin, herzogin, duchess, marchioness,lady, fürstin,fürst,princesses,peeresses with tiaras,

Countess of Bathurst | Royal Gifts and Wedding Prestents | Nobel Diamonds & Royal Jewel History

Countess of Bathurst | Royal Gifts and Wedding Prestents | Nobel und Royal Jewel History
Countess of Bathurst | Royal Gifts and Wedding Presents | Nobel and Royal Jewel History

A BRIDE’S TROUSSEAU.

The trousseau of Miss Lilias Borthwick, of which we had a glimpse yesterday, is the perfection of dainty simplicity| November 1893

The gown both for day and evening wear depend on for their effect their perfect cut, rather than on costliness of material. The trousseau includes several useful tailor-built gowns, one of navy serge with open jacket worn over a fawn-coloured Tattersall vest; another of gendarme blue home-spun, and third of brown-fleoked Scotch tweed, which is being made near the bride’s Highland home by a lady who enjoys the patronage of Royalty, was specially charmed with Cuttle Russian coat of gendarme blue cloth, with big square collar and revers sable and quaint strap fastenings on the bodice. The basque was attached to a ribbon belt fastened with buckle of oxidized silver. Cozy wrap of fawnooloured serge was lined through with gray squirrel fur and bordered with soft brown bear fur. The high collar was cut in one with the cloak.

Quaint Spanish buttons of old silver were used on the bodice of useful little gown black diagonal with bands of crimson velvet the skirt and a crimson velvet vest.

For her wedding journey tho Isle of Wight the future Lady Bathurst has selected dress and coat of brown hopsack tweed. The skirt has border of mink and a band petunia-coloured mirror velvet covered with brown passementerie. The bodice has square yoke back and front of the petunia velvet, edged with passementerie. Both coat and skirt are lined with petunia-red shot silk. A large picture hat of brown velvet with plumes of ostrich tips on the left side is to be worn with the dress. Most the future Countess Bathurst’s evening gowns are guiltless of trains, these appendages not being much approved by the sensible and practical young lady.

Among these gowns is a charming dinner dress of white silk, powdered with tiny pink flowers. The hem flounce is run on green and pink baby ribbon, which is knotted here and there, and the bodice and Empire sash are trimmed with gold enamel trimming. A dainty gown of blue moiré has the skirt trimmed with donkey ear bows blue velvet and bands of velvet covered with passementerie of white and colored pearls, the bands forming deep point in front. Another evening dress of de Nil armor silk, with a double flounce of embroidered chiffon arranged pagoda-wise the skirt.

A very pretty Whatteau tea gown in light yellow, has points caught with a rosette on the train and the slight train falls from 8 rosettes between the shoulders. A charming little tea gown in rise pink Lilac silk has full front the silk circled with a quaint chain girdle and clasps of oxidized silver. Dainty dressing gowns, heaps of pretty lingerie, and a variety of headgear were among the wedding finer v displayed in the young bride’s pretty sitting room near the top of Sir Algernon’s high house in Piccadilly, the windows which command magnificent view over the green park.

 

Above in the picture: Lilias, Countess Bathurst

The most valuable piece from the collection of Countess Bathurst, is an early 20th Century Diamond Tiara, commissioned from Cartier by Lilias, Countess Bathurst (1871-1965).

Made from  old and rose-cut diamonds, silver and gold, (circa 1910) the stones were taken from two tiaras,  Countess Bathurst inherited from her mother Lady Glenesk.

The tiara and the preceding corsage brooch, is the epitome of aristocratic splendor and the delicate Belle Époque scrolling motifs were inspired by 18th century architectural details.

Compared to many Victorian tiaras with their often heavy style of mounting and high surmounts this early 20th century example must have felt comparatively ethereal, and it is not surprising that Gloria Bathurst clearly enjoyed wearing it and was photographed wearing this beautiful head ornament on various grand occasions.

 

Lilias Countess of Bathurst | Cartier Diamond Stomacher and Cartier Diamonds Tiara | Nobel Diamonds & Royal Jewel History

Countess of Bathurst | Gloria Bathurst |Royal Gifts | Nobel Heirlooms Diamonds & Royal Jewel History

Lilias Countess of Bathurst | Natural Pearl and Diamond Tiara | Important Pearls, Diamonds & Royal Jewel History

Lilias Countess of Bathurst | Queen Anne Pearl Necklace | Historic Natural Pearl | Nobel Diamonds & Royal Jewel History

Lilias Countess of Bathurst | Diamond Brooch of large Diamonds| Nobel Diamonds & Royal Jewel History

 

 

 

Countess Galloway Famous Jewellery| Diamond Greek Key Wave Tiara Bandeau | Countess of Galloway’s Diamond Tiara | Heirloom Jewels History

Famous Jewellery| Diamond Greek Key Wave Tiara Bandeau | Noble Jewelry | Countess Galloway | Heirloom Jewels History

Countess Galloway Famous Jewellery| Diamond Greek Key Wave Tiara Bandeau | Noble Jewelry |  Heirloom Jewels History, Koch Diadem Kreuter Tiara Diadem
Countess Galloway Famous Jewellery| Diamond Greek Key Wave Tiara Bandeau | Noble Jewelry | Heirloom Jewels History
Wedding Countess of Galloway | Greek Key Wave Diamond Diadem | Marriage Present and Gifts to the Bride  Countess of Galloway’s Diamond Tiara was the spectacular Jewel worn by the American Heiress who was the sister of Countess Carnarvon and married to the 12th Earl of Galloway (

JEWELS WEDDING PRESENTS

Among the many wedding gifts were the presentation from residents of Newton Stewart—antique wine coolers—silver loving cups from the past and present tenants on the estate, employees and household staff, a silver inkstand, which were all presented a week ago, when Lord Galloway was entertained in the M'Millan Hall, Newton Stewart, of which burgh his father was one time Provost.   Koch Diadem Kreuter Tiara
‘Hofjuwelier Robert Koch’ from Frankfurt am Main and ‘Kreuter & Co.’ from Hanau.
Wedding Countess of Galloway | Greek Key Wave Diamond Diadem | Marriage Present and Gifts to the Bride

JEWELS WEDDING PRESENTS
Among the many wedding gifts ……Wedding Countess of Galloway | Greek Key Wave Diamond Diadem | Marriage Present and Gifts to the Bride

Famous Jewellery| Diamond Greek Key Wave Tiara Bandeau | Noble Jewelry | Countess Galloway | Heirloom Jewels History

George IV: Art & Spectacle | Coronation and Diamonds

The coronation was the most spectacular moment of George’s life and came at a cost of more than £240,000.

The King himself oversaw the design of his coronation robes, including the crimson velvet surcoat and a stole made from cloth of silver, gold thread and silk, embroidered with the national flowers of the United Kingdom. Sir Thomas Lawrence’s coronation portrait shows the King in his ceremonial clothing with the Imperial State Crown, traditionally remade for the coronation of each new monarch, placed on a table to his right.

The crown, see below in the picture, was set with more than 12,300 diamonds that had been hired for the occasion.

George IV: Art & Spectacle King Georg of Great Britain Coronation
George IV: Art & Spectacle King George of Great Britain Coronation

George wanted to keep the crown after the ceremony, but Parliament refused to support the cost. The King therefore commissioned a gilt-bronze cast of the Imperial State Crown, which is on public display for the first time.

The Diamond Diadem, designed for George IV’s coronation by the jewellers Rundell Bridge & Rundell, is set with 1,333 diamonds, including a four-carat pale yellow brilliant.

Openwork silver frame lined with gold and set transparent with diamonds; narrow band edged with pearls, surmounted by four crosses-pattée, the front cross set with a pale yellow brilliant, and four sprays representing the national emblems of the United Kingdom, incorporating the national emblems of England, Scotland and Ireland,Rose – Shamrock-Thistle – Daffodil.

This feminine association belies its origin, since it was made for George IV’s use at his famously extravagant coronation in 1821.  On that occasion, he wore it on top of a large velvet ‚Spanish‘ hat surmounted by ostrich feathers, with a curled wig beneath, at the ceremonies in Westminster Hall and during the walking procession to Westminster Abbey.

The order for the diadem was placed with Rundells in 1820 and work was complete by May of that year.

The design, probably by Rundells‘ chief designer Philip Liebart, reflects something of the discarded plan for George IV’s Imperial State Crown, which was drawn up by Liebart in the same period and was to have included the national emblems in place of the traditional fleurs-de-lis.

Together with a diamond-studded loop (which was broken up to help make Queen Victoria’s Garter armlet) the bill for the diadem amounted to the large sum of £8,216.

This included an £800 hire charge for the diamonds – stones were regularly hired for use at coronations up to 1837 – computed on a percentage of the value of the stones.

When the coronation had to be postponed for a year on account of Queen Caroline’s trial, a further hire charge was levied. Normally the stones would have been returned to Rundells after the coronation, but in this case there is no sign that the delicately worked diamond sprays and crosses, a masterpiece of the new transparent style of setting, have been disturbed. Equally, there is no evidence that the King purchased the stones outright, so it could be that the bill was met by a discreet barter of old stones from George IV’s extensive collection.

Today the diadem is worn by Her Majesty The Queen when travelling to and from the State Opening of Parliament.

At the coronation banquet, works were displayed from the Grand Service, an unrivalled 4,000-piece collection of dining and buffet silver-gilt that George first commissioned when Prince of Wales and is still used today at State Banquets, see below.

coronation silver tray Georg IV
coronation silver tray Georg IV

A spectacular silver-gilt tray by goldsmith Paul Storr for Rundell, Bridge & Rundell, weighing over 9kg and engraved with the Royal Arms and the Prince of Wales’s coronet, was put on show prominently behind the King, In the picture above.

George acquired works of art with abandon to decorate his residences, and these remain some of the greatest items in the Royal Collection.

As Prince of Wales, he lived at Carlton House on London’s Pall Mall. Within ten years of taking possession of the mansion in 1783, he had run up debts of around £400,000, furnishing the rooms with paintings, the finest French furniture and decorative arts, and creating a series of interiors that were widely regarded as among the most handsome in Europe.

One of the highlights of his Kunstkammer is the Nautilus cup and cover by Nikolaus Schmidt, which stands at more than half a metre in height. This unusually large shell is elaborately mounted with silver-gilt figures of Jupiter, Neptune, a mythical sea creature called a hippocamp and four double-tailed mermaids playing instruments. In his library at Carlton House, George read voraciously on topics ranging from geography and military history to the work of Jane Austen.

The Times wrote, ‘there never was an individual less regretted by his fellow creatures than this deceased King’, while the Duke of Wellington called him ‘the most munificent patron of the fine arts’ and ‘the most accomplished man of his age’. On the one hand, George was a recklessly profligate showman, who had little regard for the hardships suffered by the rest of the country, and on the other, he was a connoisseur with intellectual interests, whose passion for collecting left a great artistic legacy.

Through more than 300 works from the Royal Collection,
George IV: Art & Spectacle sheds new light on this monarch of extreme contrasts.

George IV: Art & Spectacle is at The Queen’s Gallery, Buckingham Palace, 15 November 2019 – 3 May 2020.

Duchess of Newcastle | Royal Imperial Jewelry| Famous Diamond Jewels History

The story about famous and royal jewels, history of:
Anchor Brooches from Empress Eugenie - later owned by the Duchess of Newcastle

Royal Jewel History - Duchess of Newcastle
Anchor Brooches from Empress Eugenie – later owned by the Duchess of Newcastle The anchors are from the personel jewels of Empress Eugenie of France, two large anchors of diamonds>>

newcastle emeralds necklace duchess Tiara Diadem Coronation Tiaras Coronation Diademe
Duchess of Newcastle emeralds necklace duchess of Newcastle important jewels | Emerald Diamond Collier| Coronation Tiaras
Diamond Emerald Necklace Jewelry | Duchess of Newcastle Jewels
Diamond Tiara with Plume brooch |Noble Jewelry | Duchess of Newcastle Jewels
Diamond Tiara with Diamond Plume brooch |Noble Jewelry | Duchess of Newcastle Jewels
Diamond Tiara with Plume brooch |Noble Jewelry | Duchess of Newcastle Jewels
Diamond Bow Brooch Stomacher | Noble Jewelry | Duchess of Newcastle Jewel Devante de Corsage

Duchess of Newcastle imperial diamond bow-brooch Duchess of Newcastle imperial diamond bow-brooch |Importante broche noeud de ruban en diamants, bapst, circa 1850.
commande de la duchesse kathleen de newcastle pour le mariage de la reine victoria.
Duchess of Newcastle imperial diamond bow-brooch |Importante broche noeud de ruban en diamants, bapst, circa 1850, commande de la duchesse kathleen de newcastle pour le mariage de la reine victoria.
Diamond Bow Brooch | Famous Jewels and Stomachacher Bow |Duchess of Newcastle

 

Royal Jewels | Diamond Ribbon Devante de Corsage | Bow Stomacher | Duchess of Beaufort Lady Mary Cambridge

Royal Jewels | Ribbon Devante de Corsage | Bow Stomacher | Duchess of Beaufort Lady Mary Cambridge
Royal Jewels | Ribbon Devante de Corsage | Bow Stomacher | Duchess of Beaufort Lady Mary Cambridge

As member of the Royal Family, this Diamond jewels>> are worne at

Coronation of King George VI and Queen Elizabeth in 1937 and the Coronation of Queen Elizabeth II in 1953 – as well as the royal weddings in 1936 and 1947 more about the story behind the royal jewelry>>

The diamond encrusted Imperial State Crown| Royal Jewel History

To mark her 65th coronation jubilee, this year, the Queen of  Great Britain  and Irland explain her coronation jewel….

The St Edward’s Crown was used by Archbishop of Canterbury at actual moment of the monarch’s coronation.

Queen Elizabeth swapped crown for lighter Imperial State Crown before leaving Westminster Abbey on the day of her coronation.

What’s about the large Spinel which she love?
The Crown is fitted with a purple velvet cap and ermine band. Small plates on the reverse of the ‚Black Prince’s Ruby‘ and the ‚Stuart Sapphire‘ are engraved to commemorate the history of the Crown

The Imperial State Crown 1937

Queen Elizabeth II Coronation Jewels Crown | Royal History Diamond State Crown
Queen Elizabeth II Coronation Jewels Crown | Royal History Diamond State Crown

 

The Black Prince’s Ruby

The Black Prince’s Ruby is a large, irregular cabochon red spinel weighing 170 carats (34 g) set in the cross pattée above the Cullinan II at the front of the Imperial State Crown of England.
The spinel is one of the oldest parts of the Crown Jewels of the United Kingdom, with a history dating back to the middle of the 14th century. It has been in the possession of England’s rulers since it was given in 1367 to its namesake, Edward of Woodstock (the „Black Prince“).
In its history the  stone,  of Eastern origins, was pierced for use as a pendant, and the upper hole later plugged with a small cabochon ruby in a gold slip mount.

Given to Edward, Prince of Wales (1330-76), son of Edward III, and known as the Black Prince, by Don Pedro, King of Castile, after the Battle of Najera near Vittoria in 1367.  According to legend it passed to Spain in about 1366, where Don Pedro took it from the Moorish king of Granada. In 1415 it was one of the stones worn by Henry V in his helmet, at the Battle of Agincourt. It is difficult to prove that this is indeed the same stone but a large Balas (= spinel) certainly appears in the descriptions of historic state crowns, and it has been reset each time the crown was refashioned. In 1820, the gemstone was valued at £10,000  equivalent to £10,000,000 as of 2016.

The whole Imperial State Crown is formed from an openwork gold frame, mounted with three very large stones, and set with :
2868 diamonds in silver mounts, largely table-, rose- and brilliant-cut.
The coloured stones in gold mountings, including
17 sapphires, 11 emeralds and 269 pearls.

The measurements 31.5 cm (whole object) || 21.3 cm (at base of object) || 32 7/20 oz (Weight whole object) || 1060.0 g (Weight whole object)

At the front of the crown band is the large cushion-shaped brilliant, Cullinan II, the second largest stone cut from the Cullianan Diamond (also known as the Second Star of Africa).
At the back of the band is the large oval sapphire known as the ‚Stuart Sapphire‘. The two large stones are linked by an openwork frieze, containing eight step-cut emeralds and eight sapphires, between two rows of pearls.

The remaining three crosses are each mounted with a step-cut emerald mounted as a lozenge. The crosses alternate with four fleurs-de-lis, each with a mixed-cut ruby in the centre. Both crosses and fleurs-de-lis are further mounted with diamonds. The crosses and fleurs-de-lis are linked by swags of diamonds, supported on sapphires.

The arches are cast as oak leaves, set with diamonds, each having paired pearl acorns in diamond cups projecting from the sides. At the intersection of the arches are suspended four large pear-shaped pearls in rose-diamond caps, known as ‚Queen Elizabeth’s Earrings‘. The arches are surmounted by a monde of fretted silver, pavé-set with brilliants, with a cross-pattée above, set in the centre with an octagonal rose-cut sapphire known as ‚St Edward’s Sapphire‘.

The Imperial State Crown, or Crown of State, is the crown the monarch exchanges for St Edward’s Crown at the end of the coronation ceremony.
Before the Civil War the ancient coronation crown was always kept at Westminster Abbey and the monarch needed another crown to wear when leaving the Abbey. The Imperial State Crown is also used on formal occasions, such as the annual State Opening of Parliament.

The term imperial state crown dates back to the fifteenth century when English monarchs chose a crown design closed by arches, to demonstrate that England was not subject to any other earthly power.

This crown was made for the coronation of King George VI in 1937 but is closely based on a crown designed for Queen Victoria in 1838 by the crown jewellers of the time, Rundell, Bridge & Rundell. The crown is mounted with several historic stones to which a number of legends are attached. Which  include:

St. Edward’s Sapphire

St Edward’s Sapphire which carries the legend that Edward the Confessor (1042-66), or St Edward, one of the last Anglo-Saxon kings of England, was asked for alms by a beggar. Carrying no money on him, the King presented the beggar with a ring. The beggar later turned out to be St John the Evangelist, who assisted two English pilgrims in Syria in gratitude for the King’s help, and asked them to return the ring to St Edward. The King was buried with the ring in Westminster Abbey in 1066. In the 12th century his tomb was opened and the ring removed.

Queen Elizabeth I’s Earrings

Queen Elizabeth’s Earrings, the four large pearls, have become associated with the seven pearls that Catherine de Medici received from Pope Clement VII on her marriage to Henri II of France in 1533.
She later gave them to her daughter-in-law, Mary, Queen of Scots, and after her imprisonment they were allegedly sold to Elizabeth I. Elizabeth is unlikely to have worn them as earrings, as she preferred to wear pearls scattered over her ruff, on her hair or on her costume, and despite this romantic tale it appears that at least two of the pearls did not enter the Collection until the nineteenth century.

The Stuart Sapphire

The Stuart Sapphire, which has also been drilled in its history for use as a pendant, is approximately 104 carats. It is traditionally thought to have been smuggled by James II, when he fled England in December 1688. He passed it to his son Prince James Francis Edward, ‚the Old Pretender‘, and it eventually came into the collection of Henry, Cardinal York. When an Italian dealer, Angioli Bonelli was sent on behalf of George IV to retrieve any remaining Stuart papers, after the Cardinal’s death, he encountered a Venetian merchant who produced a large sapphire, saying that it belonged to the Stuart Crown. Bonelli purchased the sapphire and returned it to Britain. George IV certainly believed it was the Stuart Sapphire and by the time of Queen Victoria’s coronation it was set into the front of the band of her State Crown. It was moved to the rear of the band in 1909 to make way for the newly acquired Cullinan II.

Cullinan II  Second Star of Africa

Cullinan II, or the ‚Second Star of Africa‘, weighs 317.4 carats. It is the second largest stone cut from the great Cullinan Diamond, the largest diamond ever discovered. It was found in 1905 by Frederick G.S. Wells, at the Premier Mine, about twenty miles from Pretoria in South Africa. The stone, which weighed 3025 carats, was named after Thomas Cullinan, the Chairman of the Premier (Transvaal) Diamond Mining Company. The diamond was presented to Edward VII in 1907 as a symbolic gesture to heal the rift between Britain and South Africa after the Boer War.
It was formally handed over to the King on his birthday, 9 November 1907, at Sandringham. The stone was cut by Asschers of Amsterdam.
Nine large stones were cut from the original diamond. The cutting and polishing took three men eight months to complete. A further 97 small brilliants and some unpolished fragments were also created.
The largest cleaving of the stone, Cullinan I, the Star of Africa, was placed in the Sovereign’s Sceptre – see above-, and Cullinan II – see also above- placed in the front of the band of the Imperial State Crown.
The remaining numbered stones were mounted as jewellery (and do not form part of the official Crown Jewels).

Commissioned for the Coronation of King George VI on 12 May 1937, from the Crown Jewellers, Garrard & Co.

from BBC:
On June 2nd 1953, on one of the coldest June days of the century, after 16 months of planning, Her Majesty the Queen set out to be crowned at Westminster Abbey, watched by millions of people throughout the world. A ceremony dating back more than 1000 years was to mark the dawn of a new Elizabethan age. Now, in what has become the longest reign of any British monarch – 65Years! , the Queen shares her memories of that day as well as the coronation of her father, King George VI, in 1937.

Exploring the role and symbolic meaning of the Crown Jewels in the centuries-old coronation ceremony, The Coronation shows these objects of astonishing beauty in new high-resolution footage. A combination of HD cameras and special 4K lenses reveal the incredible secrets and forensic details of a set of regalia that have a rich history of their own. Amongst the many glorious objects revealed, the film tells the extraordinary story of St Edward’s Crown, which was destroyed after the English Civil War and remade for the coronation of Charles II in 1661. It has only been worn by Her Majesty once, at the moment she was crowned.

Shedding an entirely new perspective on this world-famous event, The Coronation brings together, the eyewitness accounts of those who participated, including the maid of honour who nearly fainted in the Abbey and the 12-year-old choirboy who was left to sing solo when his overwhelmed colleagues lost their voices.

Viewing rarely seen private and official film footage of the day, Her Majesty the Queen recalls the day when the weight of both St Edward’s Crown and the hopes and expectations of a nation recovering from war were on her shoulders, as the nation looked to their 27-year-old Queen to lead them to a new era.

Using the Queen’s recollections and new footage of the Crown Jewels, The Coronation reveals the story of this glittering ceremony.

Royales Diamant Diadem | Duchess of Fife | Massin

Mit dem „Accient in Lieu“ -System können  Briten  – Steuerpflichtige wichtige Kunstwerke und andere Kulturgüter in öffentliches Eigentum überführen, während sie die Erbschaftssteuer oder eine ihrer früheren Formen zahlen. Der Steuerpflichtige erhält den vollen offenen Marktwert des Gegenstands, der dann einem öffentlichen Museum, Archiv oder einer Bibliothek zugewiesen wird. Dies wurde nun von dem Arts Council England für die Fife Tiara akzeptiert!

Die Geschichte dieses Diadem von Oscar Massin ist hier zu finden:

https://www.royal-magazin.de/england/fife-massin-tiara.htm

Prinzessin Louise von Wales Hochzeitsgeschenke

Princess Royal Louise Duchess of Fife | Massin Diamond Tiara

Prinzessin Royal Louise Herzogin von Fife | Royal Wedding gifts

Prinzessin Royal Louise Herzogin von Fife | Marriage presents|Schmuck Hochzeitsgeschenke

Princess Royal Louise Duchess of Fife | Jewels, Diamond Comb

Princess Royal Louise Duchess of Fife | Forget-me-nots jewels

Princess Royal Louise of England | Arrow Diamond Brooch |Gifts and Presents

The diamond tiara given by the Duke of Fife to his bride, Princess Louise

The Acceptance in Lieu scheme enables taxpayers to transfer important works of art and other heritage objects into public ownership while paying Inheritance Tax or one of its earlier forms. The taxpayer is given the full open market value of the item which is then allocated to a public museum, archive or library.

The tiara is then located in the Historic Royal Palaces (Kensington Palace)  and the value was £1,400,000
source: Cultural Gifts Scheme & Acceptance in Lieu Annual Report 2016/17
 
Later in the posse

 

Massin diamond tiara | Royal Wedding Jewels Diamond  Duchess of Fife |  Princess Alexandra of Connaught |  Diamant Diadem History
Massin diamond tiara | Royal Wedding Jewels Diamond Duchess of Fife | Princess Alexandra of Connaught | Diamant Diadem History | Coronation Tiara

ssion of her daughter:

 
 
 
The Panel considered the tiara to be pre-eminent under
the second and third criteria, in acceptable condition
and fairly valued. The tiara has been permanently
allocated to Historic Royal Palaces for retention and
display at Kensington Palace in accordance with the
condition attached to the offer.

Beauharnais Jewels of the Duchess of Leuchtenberg | Imperial Diamonds and Royal Jewelry

die Historie der Beauharnais Juwelen und Diamanten –

Orginal in Deutsch

more about the history of the Beauharnais Diamonds>>

Duchess of Manchester | Important Jewels Ruby Diamond Bracelet | Queen Alexandra Royal Rubies

Duchess of Manchester Ruby Diamond bracelet left to Queen Alexandra
Duchess of Manchester Ruby Diamond bracelet left to Queen Alexandra  – which royal is now the owner

The story behind the royal rubies and ruby jewels of Queen Alexandra of Great Britain:

Duchess of Manchester Ruby Diamond bracelet | Queen Alexandra Royal Rubies>>

Which royal grand-grand-granddaughter or grand-grand-grandson is now the lucky owner?

Die Historie hinter den Rubinen und dem Rubin-Schmuck der Königin Alexandra von England:

Die Herzogin von Manchester hinterliess ein Rubin-Diamant-Armband  zu Gunsten der Königin Alexandra von Great Britain>>

Welche königliche Ur-Urenkelin oder Ur-Urenkel ist jetzt der glückliche Besitzer?

Wedding Gifts | Bridal Jewellery of the Duchess of Manchester
Ruby Bracelet | Jewels of Consuelo Montagu, Duchess of Manchester
Emerald and Diamond Necklace |Duchess of Manchester | Consuelo Yznaga | Montagu | Vicountess Manderville
Duchess of Manchester Diamond Jewels | Cartier Diamond Tiara and Cartier Choker | Dog Collar
Cartier Diamond Tiara Diadem | Jewels Helene Duchess of Manchester | Large Diamond Drops Corsage Brooch
The Manchester tiara - Wedding Gifts | Bridal Jewellery of the Duchess of Manchester
Ruby Bracelet | Jewels of Consuelo Montagu, Duchess of Manchester
Emerald and Diamond Necklace |Duchess of Manchester | Consuelo Yznaga | Montagu | Vicountess Manderville
Duchess of Manchester Diamond Jewels | Cartier Diamond Tiara and Cartier Choker | Dog Collar
Cartier Diamond Tiara Diadem | Jewels Helene Duchess of Manchester | Large Diamond Drops Corsage Brooch   Gilded Age Jewels: The Duchess of Manchester's Cartier

The Duchess of Manchester Diamond Tiara made by Cartier

Wedding Gifts American Heiress | Bridal Jewellery of the Duchess of Manchester

Ruby Bracelet | Jewels of Consuelo Montagu, Duchess of Manchester

Emerald and Diamond Necklace |Duchess of Manchester | Consuelo Yznaga | Montagu | Vicountess Manderville

Wedding Gifts | Bridal Jewellery of the Duchess of Manchester Ruby Bracelet | Jewels of Consuelo Montagu, Duchess of Manchester Emerald and Diamond Necklace |Duchess of Manchester | Consuelo Yznaga | Montagu | Vicountess Manderville Duchess of Manchester Diamond Jewels | Cartier Diamond Tiara and Cartier Choker | Dog Collar Cartier Diamond Tiara Diadem | Jewels Helene Duchess of Manchester | Large Diamond Drops Corsage Brooch
Emerald Jewellery the Duchess of Manchester | Jewels of Consuelo Montagu, Duchess of Manchester Emerald and Diamond Necklace |Duchess of Manchester | Consuelo Yznaga | Montagu | Vicountess Manderville Duchess of Manchester Diamond Jewels |Gilded Age Jewels

Duchess of Manchester Diamond Jewels | Cartier Diamond Tiara and Cartier Choker | Dog Collar

Cartier Diamond Tiara Diadem |Festoon Tiara Duchess of Manchester Jewels |Helene Duchess of Manchester
The Manchester tiara | Duchess of Manchester Diamond Tiara | Manchester Cartier Tiara | Gilded Age Tiara | Ducal Manchester Diadem Cartiertiara Duchess of Manchester Jewels Festoontiara
The Manchester Festoon Tara | Duchess of Manchester Diamond Tiara | Manchester Cartier Tiara | Gilded Age Tiara | Ducal Manchester Diadem Cartiertiara

Alexandra Duchess of Fife | Royal Wedding Jewel Gifts and Presents

Alexandra Duchess of Fife| Wedding Jewels Diamond Tiara|Princess Arthur of Connaught Hochzeits Schmuck Diamant Diadem der Prinzessin Arthur von Connaught | Herzogin von Fife probably made by Kreuter, Hanau
Alexandra Duchess of Fife| Wedding Jewels Diamond Tiara|Princess Arthur of Connaught
Hochzeits Schmuck Diamant Diadem der Prinzessin Arthur von Connaught | Herzogin von Fife

Royal Marriage in 1913

The presents to Prince Arthur of Connaught and the Duchess of Fife came from every member of the Royal family in England, as well as from other givers:

Royal Wedding Jewels Diamond Tiara | Alexandra Duchess of Fife | Princess Arthur of Connaught
Wedding Jewels Diamond Bandeau Collar Necklace|Alexandra Duchess of Fife | Princess Arthur of Connaught

Alexandra Duchess of Fife | Diamond Jewels Fringe Tiara | Princess Arthur of Connaught

Alexandra Duchess of Fife| Aigrette Royal Wedding Jewels | Diamond Bracelet Bandeau Collar Necklace

Royal Marriage Gifts Presents to Alexandra Duchess of Fife| Diamond circular pendant with three amethyst flowers Wedding Jewels

:::

Königliche Hochzeitsgeschenke – Juwelen und Schmuck  von Alexandra Herzogin von Fife, der Prinzessin Arthur Connaught

Merken

Merken